Eccentric wedges

  Difficulty: Advanced   Keywords: Opening
[Diagram]
Against nirensei  

Here W1, rather than the usual a, is a quite playable wedge. This play was much used in the shin fuseki era.

[Diagram]
Choice of checking extension  

At this point B2 is the checking extension that is longest, as extension. But that doesn't mean that it is better than b. The extension to b does more to secure the corner. If Black plays B2 as shown, the right-hand corner will need two more plays to become territory, at least.

On top of these considerations, there is the rest of the board to take into account, as far as direction of play is concerned. $$$$

[Diagram]
Cramped  

Bill: After W5 White is a bit cramped. W1 would be better at a. (People do not worry so much about that these days, but it is less than ideal.) So the wedge at a is normally better than W1.

Why play it, then? The answer lies with the rest of the board. Typically White plays W1 because if she played at a Black's approach from the left would be too good. Usually that means that Black has something on the left side (like a long extension) that would work with that approach. (See nirensei v nirensei for an example.)

[Diagram]
Seo-Kataoka  

From a Tong Yang Securities Cup game, Seo Pong-su-Kataoka Satoshi 1998-01-21. Up to B6 is expected. Now with W7 White pursues a strong group plan. After B8 White still has chances of invading, in either corner. In older games White invaded at c with W7.

[Diagram]
A chance to play tenuki  

Black has also played B2 this way, to cultivate the corner. White can of course answer at d, but in top games White has also ignored the checking extension and gone elsewhere. B2 holds back, so that White can consider this a proper plan.

[Diagram]
From the other side  

When Black plays from the other direction, White has a choice of ways to approach the right-hand star point. White at a is normal thinking, at b was played by Sakata (see wedge - four-space extension), and at c is light and aims at influence, since it is easy for Black to invade in that case.

[Diagram]
Black plays elsewhere  

Since Black may not immediately find a clear plan, it often happens that White plays here once more. In that case W1 is a popular choice in pro games. One can see it as something Black probably answers, to avoid a double kakari, and then White's group on the side shouldn't become very weak.


[Diagram]
Against the orthodox fuseki  

Against the orthodox fuseki pattern, a wedge is urgent. W1 here is also good, though White at a is the popular choice. White at b doesn't have so much point to it, since Black at B1 would be an excellent checking extension in front of the enclosure.

[Diagram]
The checking extension (1)  

White's plan, though that may be putting it too strongly, anticipates B2 and then W3 (ignoring the checking extension is known here, having been played in particular by Otake). Now White at a makes for a big swing in power; and it might be premature for Black to attack at once.

[Diagram]
The checking extension (2)  

For Black to play the other checking extension isn't necessarily wrong. But it's a minor victory for White, since the other wedge play would allow Black one more line in front of the enclosure.


[Diagram]
A case for each wedge  

In this sub-orthodox formation, as you could call it, Black's 4-4 point is replaced by a 3-3 point (marked). The side is very open, with a space 12 lines wide. The normal wedge employed by White is W1 shown here. After that B2 is natural, followed by W3 to play lightly and take sente. The other choices of wedge shown are also known from pro games: White at b is common enough because Black's checking extension at a leaves White the chance of playing a shoulderhit in the left corner. White at a was played by the dour Kada Katsuji.


[Diagram]
Formation with one-point enclosure  

In this case W1 is the popular wedge, at the point Black wants (see Mark II Kobayashi formation page). W1 at a has been played by Kubouchi Shuchi, and White at b, which is also a perverse wedge, by Go Seigen.

[Diagram]
With 3-3 point  

Changing to a 3-3 point on the left, this eccentric and perverse wedge was played by Miyamoto Naoki against Go Seigen in 1964.

[Diagram]
Continuation  

A difficult fight on the side started as White tried to isolate B1, played as a checking extension.

-- Charles Matthews


Eccentric wedges last edited by BillSpight on September 19, 2004 - 16:57
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