Under which circumstances would one prefer to play the outward turn rather than the inward, and vice versa?
-- Phlegmatic
The inward turn was invented so as to take the corner territory. The outward turn implies outside influence.
In many professional games I see white in the diagram above leave the joseki when black plays 1 in order to play tenuki. What is the reasoning behind this? What if black then cuts, what are white's options?
-- Kanin?
The reasoning behind it probably is to use the White stones as pure influence, a light configuration part of which, when cut, can easily be sacrificed. Of course, the sacrifice should be outweighed by the value of playing elsewhere and keeping the initiative. --Dieter
Bill: If White plays elsewhere after Black's nobi (), we have a transposition to this sequence versus an ogeima shimari.