# TG53 Upper Left

Keywords: Ongoing game

### Moves 41-50

Komi 50.5 points

Dave For now let's start at White 41. Where to play Black 40 is a separate but also very interesting question.

Moves 41 - 43

What is White trying to do with 41?

The joseki that we see most commonly, when Black plays against the 3-5 point, starts with a.

In this case that would allow Black to play towards the two stones inside White's framework, most likely connecting to them and living in the middle of White's largest prospective area. Compared to this, the ten or so points that White can seize in the corner is of no interest at all.

When I play at instead, I have decided to try to keep separated from the other two and I am willing to give up the corner to do so. Playing b instead of is a joseki move for when White values the left side strongly. However, I thought that if Black simply answered with the hane at , it would be difficult to prevent him from making some kind of shape with the center stones.

In reply to 41, Black 42 was probably too quick to move into the corner. Black is co-operating with White's idea. Black should first think about resisting White's plan. The obvious choices would first of all be pushing at either one of 43 or b:

• If Black pushed at b, I was planning to play hane at c and fight it out. It is not possible to say how this will turn out but Black still has the opportunity to jump into the corner to save himself if necessary; and White's stones are thin. This is possible for Black.
• If Black pushed at 43 instead, it looks impossible for White to block at d. If I did so, what would I do after Black played b? If c, Black will cut White to pieces. It looks like White would have to submit with e. However, then Black would immediately push again with c.

As soon as that happens, a black play at 42 to secure his stones also becomes a threat to capture White's original 3-5 point stone. This would make 42 nearly sente - White might decide to ignore it but if so Black may end up with a very large corner. (See the next diagram.)

What next?

After here, what can White do?

If at , it looks like Black can simply cut at . The two black stones in the center are well placed to lend support and White has weaknesses everywhere.

If is played at , Black will push again at immediately. This still threatens to play Hane at the head of three stones stones. At the same time it threatens to play into the corner, nearly forcing White to save the marked stone on the side. By now White's center is too small for White to expect to overcome the komi.

Limited choice

It looks like White would have little choice but to answer at . Now what if Black pushes again? Each push expands the size of the corner if/when Black decides to secure it with a play at a. Can White play into the corner first in order to cut away Black's base? It does not look like it, right now. If Black plays hane at b after White a, what can White do next?

If White plays hane at , it looks like Black can push through at . Not only does this threaten to break into White's franework, but it weakens White's cutting point at b. Meanwhile, Black still has the hane at c and the slide to a as defensive resources. White should be more worried than Black.

Moves 44 - 47

I think that playing 44 is natural here as is White's answer at 45. As mentioned in the game notes, I think that 46 could be better.

White 47 is an all-out move that expects to handle the various cutting points by fighting. The weakness at a in Black's position is an important point when White plans to keep Black confined in the corner.

Hanging connection

Playing the hanging connection at in response to more or less forces White to answer at . If White ignored in order to enclose the top at , Black would immediately play the huge move at .

White could not resist, so Black could expand the corner in sente, reducing White's center at the same time. This would give an easy game for Black.

If White connects at (a connection at a, often seen in this kind of shape in games, is overconcentrated taking into account in this case), White can consider whether to push through at , or to try the knight's move at b.

Hanging connection 2

If White simply descends toward the edge with , protects the cutting point at a. This limits White's potential in the corner and makes it more difficult to resist something like .

Moves 48 - 50

I was really surprised by 48. I thought it was a great idea!

Black would much prefer to break out into the center, rather than live safely in the corner. It is not immediately obvious how (even whether) White can prevent this after 48 without allowing Black to build an unexpectedly large corner. Worse yet, Black might now live on a respectable scale in the corner in sente. This would be a disaster for White.

I played 49 hoping that Black would cut at 50, which I planned to handle using the aji of b. But I did not know how I would handle Black c which seems like the consistent follow up to 48.

Hane underneath

After , White may try to keep Black confined in the corner. However, when Black calmly connects White has no good move next.

If White at , Black can safely leave the corner and play in the center, either to escape with his stones there, or to establish a boundary that does not leave White with enough potential territory to win. If White connects at a instead of , I think that Black can quietly play at b. This secures at least 10 points in the corner and the aji of a cut at remains, together with the open skirt on the left.

Hane underneath

If White tries the violent approach of , , and , creates a dilemma for White. Black threatens to capture one white stone in a ladder with a.

If White plays around (note that not only stops the ladder capture with a but also threatens to capture some black stones with b) to prevent this, Black plays and continues as shown in the next diagram...

Hane underneath

threatens to play atari at and capture White - so White has no time to cut at a. stops the cut and threatens to play .

After , Black can play in the center. White can exchange b for c but this still leaves Black with eight or nine points in the corner. The stones still have useful aji: for center fighting or for making ko threats.

### Moves 51-60

Komi 50.5 points

Moves 51 - 54

White 51 is an attempt to close off the side in sente. If Black connected at , I planned to play atari at a and then a second atari at b. White is left with cutting points that will make the later fighting tough, though.

As in the previous analysis Black 52 should probably have been at 57 to connect underneath.

White 53:ko along the edge

White 53 could have been at here. This ko is very big but the corner is only worth about 30 points.

If Black erases White's center in exchange for the corner, probably he will still be ahead - especially if he also threatens White's stones in the lower center. At the same time, White has no good external (non-local) ko threats. I wasn't confident that this would turn out well for me.

Instead I offered Black a chance to travel down the wrong path. Black's play with 52 and 54 showed too much concern with the corner.

Moves 55 - 58

By the time that I played 55 I was counting on you to answer at 56. The correct play for White was still 55 at 57.

Similarly the correct play for Black was 56 at 57. With 56, Black saves two stones that have already been shut in the corner when White played . If Black played 57 instead, White 56 would be far too small. Imagine Black played a in answer to White at 56, there is no way that White could win the ko (White has no ko threats) so Black has successfully broken out on the side.

Black 56 on the left

Instead, when Black plays , White will answer with . When Black plays , White cannot force with .

After and it looks like Black can play tenuki with a move in the center. If later White slides in to a, the combination of b and d is left for Black. Therefore White has nothing better than to block at after . Black can play tenuki immediately and live in the corner, if White plays .

TG53 Upper Left last edited by CharlesMatthews on July 2, 2003 - 08:13