3-4 point, high approach, inside contact
here is certainly expected. The nadare joseki can occur at this point if White plays at hoshi (a) in place of
.
Although less common, it is also possible for white to play nobi at b in some cases, as this reverts to a variation of the 3-4 point distant high approach, corner keima joseki. This is sometimes done when white wants sente.
is usual. Playing at a was an innovation of Kitani Minoru, and still occasionally is seen in pro games: it implies a highly territorial attitude. See 3-4 point high approach inside contact, sagari.
At this point White will often make a solid connection at a or a hanging connection at b. These are both standard plays and equally common; they have slightly different implications but in both cases White will extend along the top side next. Below we show the most typical joseki for each of a and b, and the reader is referred to 3-4 point, high approach, inside contact, solid connection and 3-4 point, high approach, inside contact, hanging connection for details.
White at c is part of the Takemiya 'cosmic style' and is possible in the overall context of some strategies.
Another strategy is for White to play tenuki at this point. White often plays in the upper right and hopes to be able to clarify the position in that corner before deciding between a and b. Of course, this does run the risk that Black plays next in this corner, usually by cutting at a. See 3-4 point high approach, inside contact, tenuki variation.
See /discussion about the point at a, b.
The most typical joseki when playing as the solid connection is shown here. In this diagram,
may also make a three-space extension at a instead. See 3-4 point, high approach, inside contact, solid connection for more.
The most typical joseki when playing as the hanging connection is shown here. See 3-4 point, high approach, inside contact, hanging connection for more.