3-3 point shoulderhit - which way to push
Keywords: Opening
Moved from 3-3 point shoulderhit.
BobMcGuigan: Which direction to push against a 3-3 point shoulder hit needs some thought. For example
![[Diagram]](../../diagrams/48/5e6e95b98753a8c62fb6482d58d9a798.png) | Diagram 1 |
Should Black play at a or at b?
It depends on the positions on the upper side and on the right side. Black wants to make the keima slide at move 3 be effective.
For example
![[Diagram]](../../diagrams/40/59715d33893388dead5142e6b81f2ffc.png) | Diagram 2 |
When the stone is on the board, works beautifully to undermine White's position.
On the other hand
![[Diagram]](../../diagrams/52/9b2c34611293ddd50505ed552ed13467.png) | Diagram 3 |
This way White can play instead of c, making use of .
I remember a game many years ago between Ishida and Nie Weiping in which a shoulder hit on a 3-3 stone occurred very early in the game, at a point when there were no stones on the two sides adjacent to the 3-3 point, and much of the subsequent opening maneuvers were focussed on making the keima slide a good or bad choice.
Charles Yes, there have been dozens of pro games of this kind, with played as a shoulderhit and probe.
![[Diagram]](../../diagrams/50/982f973c9cee31e5c0a3103076d13aa4.png) | Fuseki pattern with nirensei |
For example when Black plays nirensei with here, it signifies that works better with a black stone at a.
A rare fuseki pattern is at 3-3, shoulderhit: even more so, White is trying to wrong-foot Black. There is a classic game Sakata-Go Seigen like this, from 1963, just on the cusp when Sakata was taking over as the top player.
This is a copy of the living page
"3-3 point shoulderhit - which way to push" at
Sensei's Library.
2003 the Authors, published under the OpenContent License V1.0.
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